Denmark – SCANDINAVIAN CINEMA

Abeltshauser, Thomas (2012) ‘Ich besitze nicht mal einen Führerschein’, Ray, (2), pp. 15–18.

Addonizio, Antonio and et al. (1999) Il dogma della libertà: Conversazioni con Lars von Trier. Palermo: La Luna nel Pozzo.

Agger, Gunhild (2006) ‘Dansk, fransk og engelsk: strategier for en national filmkultur’, in Sven Hakon Rossel and Roger Reidinger (eds.), Der Norden im Ausland—das Ausland im Norden. Formung und Transformation von Konzepten und Bildern des Anderen vom Mittelalter bis heute. 25. Tagung der IASS (International Association for Scandinavian Studies) in Wien, 2.-7.8.2004. Wien: Praesens Verlag, pp. 82–93.

Agger, Gunhild (2005) ‘Found in translation: domestic-universal strategy in adapting Babette’s Feast’, in Kyle Nicholas and Jørgen Riber Christensen (eds.), Open windows: Remediation strategies in global film adaptations. Aalborg: Aalborg Universitetsforlag, pp. 117–137.

Agger, Gunhild (2018) ‘Negotiating special relationships: Susanne Bier’s Comedies’, in Missy Molloy and Mimi Nielsen and Meryl Shriver-Rice (eds.), The films of Susanne Bier. Edinburgh: Edinburgh University Press.

Agger, Gunhild (no date) ‘The “Sideplays” aesthetics: On popularity and quality in a Danish film maker’s television success’, in Martin Eide and Barbara Gentikow and Knut Helland (eds.), Quality television. Bergen: Departement of Media Studies.

Agger, Gunhild Moltesen (2010) ‘Danmarksfilm—kan danskhed oversættes?’, IASS 2010 Proceedings [Preprint].

Alfarnes, Oddvin (1998) ‘Når vi ler af ’Gummi-Tarzan: Óm Ole Lund Kirkegaards roman, Søren Kragh-Jacobsens film, latteren og læseren’, Plys, (12), pp. 101–118.

Alfarnes, Oddvin (1998) ‘Når vi ler av Gummi-Tarzan’, Norsklæreren [Preprint], (1).

Alion, Yves (1988) ‘Pelle le conquérant: Bille August: Cruelle candeur’, Revue de cinéma, (443), pp. 18–19, 40–43.

Allen, Julie K. (2012) Icons of Danish modernity: Georg Brandes and Asta Nielsen. Seattle: Museum Tusculanum Press (New directions in Scandinavian studies).

Allen, Julie K. (2012) ‘Where does “die Asta” belong? The role of national identity in Asta Nielsen’s German and Danish reception in the early 1920s’, Journal of Scandinavian Cinema, 2(1), pp. 13–26.

Allen, Robert C. (1973) ‘Asta Nielsen: The silent museSight and Sound, volume 42, issue 4 (1973), 205-210.’, Sight and Sound, 42(4), pp. 205–210.

Alleva, Richard (2005) ‘Corruption and transcendence: The films of Carl Dreyer’, Commonweal, 132(6), pp. 19–21.

Alling, Thomas (2003) ‘Sightseeing with the Holy Ghost’, in Jan Lumholdt (ed.), Lars von Trier: Interviews. Jackson, Mississippi: University Press of Mississippi.

Anders, L. and Foss, Kim (1994) ‘Dagens dansker Michael Laudrup’, Kosmorama, 39(206), pp. 10–13.

Andersen, Jesper (2004) ‘Aus Dänemark: dänischer Film ist mehr als “Dogma”’, Cinema. Unabhängige schweizer Filmzeitschrift, (49), pp. 156–162.

Andersen, Jesper (no date) ‘Dear Europe’, Film [Preprint], (42).

Andersen, Jesper (1997) ‘I lommerne på Europa: Internationaliseringen af dansk filmproduktion’, in Ib Bondebjerg and Jesper Andersen and Peter Schepelern (eds.), Dansk film 1972-97, pp. 332–365.

Andersen, Lars K. (2003) ‘A stone-turner from Lyngby’, in Jan Lumholdt (ed.), Lars von Trier: Interviews. Jackson, Mississippi: University Press of Mississippi.

Andersen, Marianne Krogh (2001) ‘Alt handler om kærlighed’, Weekendavisen [Preprint], (August 2).

Anderson, Victoria (2010) ‘Sins of permission: The union of rape and marriage in Die Marquise von O and Breaking the Waves’, in Dominique Russell (ed.), Rape in art cinema. London/New York: Continuum, pp. 69–82.

Andrews, Nigel (2003) ‘Maniacal iconoclast of film convention’, in Jan Lumholdt (ed.), Lars von Trier: Interviews. Jackson, Mississippi: University Press of Mississippi.

Anger, Cédric (1998) ‘L’étrangeté règne: A propos de “The Kingdom” (“L’Hôpital et ses fantômes”)’, Cahiers du Cinéma, (524), pp. 86–87.

Angiboust, Sylvain (2012) ‘Abstraction et fantômes: le fantastique selon Nicolas Winding Refn’, Avant-Scène Cinéma, (591), pp. 35–41.

Antin, Eduardo (Quintín) (1998) ‘Entre el dogma y la internacional’, El Amante Cine, 7(76), pp. 50–52.

Arnaud, Diane (2012) ‘Libre de corps et d’esprit: les trois transformations du Guerrier silencieux’, Avant-Scène Cinéma, (591), pp. 16–19.

Arnedal, Poul and Bo Christensen (ed.) (2006) Nordisk film: En del af Danmark i 100 år. København: Aschehoug.

Arroyo, José (2000) ‘How do you solve a problem like von Trier?’, Sight and Sound, 10(9), pp. 14–18.

Audé, Françoise (1996) ‘Breaking the Waves. Diable d’exorcisme’, Positif, (428), pp. 13–15.

Auerbach, Nina (1997) ‘My vampire, my friend: The intimacy Dracula destroyed’, in Joan Gordon and Veronica Hollinger (eds.), Blood read: The vampire as metaphor in contemporary culture. Philadelphia, PA: University of Pennsylvania Press, pp. 11–16.

Aumont, Jacques (1993) Vampyr de Carl Th. Dreyer. Crisnee: Yellow now.

Austin-Smith, Brenda (2006) ‘Mum’s the word’: The trial of genre in Dancer in the Dark’, Post Script, 26(1), pp. 32–42.

Azulys, Sam (2012) ‘Le miroir des limbes: une approche du voyage initiatique dans Le Guerrier silencieux’, Avant-Scène Cinéma, (591), pp. 12–15.

Azzalin, Claudia (2010) ‘One man shock’, Segnocinema, 30(161), p. 62.

Bachmann, Anne (2013) ‘Vindicating the great moment against Swedish censorship: Asta Nielsen’s soulful eyes as on-screen pantomime’, in Importing Asta Nielsen: The international film star in the making 1910-1914. London: John Libbey Publishing, pp. 215–233.

Badley, Linda (2013) ‘Antichrist, misogyny and witch burning: The Nordic cultural contexts’, Journal of Scandinavian Cinema, 3(1), pp. 15–33.

Badley, Linda (2006) ‘Danish Dogma’, in Linda Badley, R. Barton Palmer and Steven Jay Schneider (eds.), Traditions in world cinema. Edinburgh: Edinburgh University Press, pp. 80–94.

Badley, Linda (2011) Lars von Trier. Urbana: University of Illinois Press (Contemporary film directors).

Badley, Linda (2015) ‘Nymph()maniac as retro Scandinavian blue’, Journal of Scandinavian Cinema, 5(2), pp. 191–204.

Badley, Linda (2019) ‘The transnational politics of Lars von Trier’s and Thomas Vinterberg’s “Amerika”’, in Anna Westerstahl Stenport and Arne Lunde (eds.), Nordic film cultures and cinemas of elsewhere.

Baecque, Antoine de (1988) ‘Dreyer, l’homme qui aimait les femmes’, Cahiers du Cinéma, (404), pp. 38–40.

Bainbridge, Caroline (2004) ‘Just looking? Traumatic affect, film form and spectatorship in the work of Lars von Trier’, Screen, 45(4), pp. 391–401.

Bainbridge, Caroline (2004) ‘Making waves: Trauma and ethics in the work of Lars von Trier’, Journal for Cultural Research, 8(3), pp. 353–369.

Balling, Erik (1997) Skandalen. København: Forlaget Møntergården.

Balling, Erik (1998) Som bam var jeg voldsomt hidsig: Erindringer. København: Aschehoug.

Balogh, Laura Petersen (2007) ‘Et dansk kapitel af Hollywoods store glemmebog: Stumfilmstjernen Karl Dane, hans turbulente liv og tragiske endeligt’, Kosmorama, 53(240), pp. 85–100.

Bang, Hans V. (1995) ‘Der Film und die Filmhäuser’, in 100 Jahre dänischer Film og Kino. København: Det Danske Filminstitut.

Bang, Hans V. (1995) ‘Film og filmhuse’, in Dansk film and forevisning gennom 100 år. Koldinghus: Museet på Koldinghus, pp. 8–13.

Bauche, Nicolas (2010) ‘Entretien avec Nicolas Winding Refn - Ce qu’il y avait dans le cercueil’, Positif, (589), pp. 21–28.

Bayon, Estelle (2012) ‘Le paysage refnien: espace d’une mutation’, Avant-Scène Cinéma, (591), pp. 20–22.

Beaucage, Paul (1998) ‘Lars von Trier, cinéaste des limites’, Ciné-Bulles, 17(2), pp. 31–35.

Béghin, Cyril (2011) ‘Comme au dernier jour’, Cahiers du Cinéma, (673), pp. 14–15.

Behn, Manfred (ed.) (1994) Schwarzer Traum und weisse Sklavin: Deutsche-dänische Filmbeziehungen 1910-1930. München: Edition Text + Kritik.

Behrendt, Poul (1992) ‘Bille August og Bergman’, in Lone Erritzøe (ed.), Stil på strimler. København: Amanda.

Behrens, Volker (2003) ‘Erfolg in Wellen, der dänische Film mit und ohne Dogma’, EPD Film, 20(4), pp. 8–10.

Beindorf, Claudia (1995) ‘Olsen-bande: Erik, mächtig gewaltig. In Dänemark wird in diesen Tagen ein Komödiant 71 Jahre alt, der stets hinter seinen Filmen zurücktrat, für die er Drehbücher schrieb und/oder Regie führte’, NORDEUROPAforum, (4), p. 38.

Belach, Helga and et al. (1973) Asta Nielsen 1881-1972. Berlin: Stiftung Deutsche Kinemathek.

Bell, Emma (2006) ‘The passions of Lars von Trier: Madness, femininity, film’, in C. Claire Thomson (ed.), Northern constellations: New readings in Nordic cinema. London: Norvik Press, pp. 205–216.

Berg Madsen, Kaj (1954) Film-aarbogen 1953-54. København: illustrationsforlaget.

Bergsten, Bebe (1973) The great Dane and the Great Northern Film Company. Los Angeles: Historical films.

Bergstrom, Janet (1996) ‘Asta Nielsen’, in Geoffrey Nowell (ed.), The Oxford history of World cinema. Oxford: Oxford University Press, p. 26.

Bergstrom, Janet (1990) ‘Asta Nielsen’s early German films’, in Prima di Caligari. Cinema Tedesco, 1895-1920.

Bernaers, Hugo (2000) ‘Focus op Denemarken: Van Dreyer naar Dogma 95’, Film en Televisie, (504), pp. 26–35.

Bernardi, Auro (2011) Lo schermo di Dio: Cinema e pensiero religioso. Recco/Genova: Le mani.

Bernhard, Brendan (2003) ‘Lars attacks! Von Trier in Hollywood’, LA Weekly [Preprint], (March 26).

Berthelius, Marie (1991) ‘Brytningstid’, Chaplin, 33(1), pp. 19–21.

Berthelius, Marie (1990) ‘Drömmen om en tänkbar försoning’, Chaplin, 32(6 (231)), pp. 317–319.

Berthelius, Marie (1991) ‘Verklighetens harda ansikte’, Chaplin, 33(3), pp. 24–27.

Berthelius, Marie and Narbonne, Roger (2003) ‘A conversation with Lars von Trier’, in Jan Lumholdt (ed.), Lars von Trier: Interviews. Jackson, Mississippi: University Press of Mississippi.

Bigelow, Benjamin (2015) ‘Lurking in the blind space: Vampyr and the multilinguals’, Journal of Scandinavian Cinema, 5(3), pp. 223–239.

Bikvad, Søren (1992) Verden er Leth. En bog om Jørgen Leths film og forfatterskab. Odense: Odense Universitetsforlag.

Billen, Andrew (1997) ‘Goggling at girls’, New statesman, 126(4364), pp. 41–43.

Binotto, Thomas (2000) ‘Trinity, the One und das Evangelium: Christliche Bilderwelten im populären Kino’, Film-Dienst, 53(25), pp. 11–16.

Birkvad, Søren (1983) ‘Verden er Leth’, Kosmorama, 29(166), pp. 177–188.

Birkvad, Søren (1984) ‘Verden er Leth—2’, Kosmorama, 30(167), pp. 26–34.

Bjerre, Thomas Ærvold (2010) ‘En iscenesat virkelighed: Dokumentarfilmen Armadillo lænser sig op af nye amerikanske krigsfilm’, Fyens Stiftstidende [Preprint].

Björkman, Stig (1998) ‘À la recherche de l’émotion pure: À propos des Idiots’, Cahiers du Cinéma, (524), pp. 84–85.

Björkman, Stig (no date) ‘Dans les coulisses de Dogville’, Cahiers du Cinéma, (579), pp. 38–40.

Björkman, Stig (1997) ‘Den lekande månniskan’, Chaplin, 39(1 (268)), pp. 30–33.

Björkman, Stig (2002) Dogma 95 : estetik och ekonomi. Stockholm: Dramatiska Institutet.

Björkman, Stig (2000) ‘Genombrottsår för Dogma’, in Nationalencyklopedin vol. 24. Höganäs: Bra böcker, pp. 246–247.

Björkman, Stig (1999) ‘Juggling in the dark’, Sight and Sound, 9(12), pp. 8–11.

Björkman, Stig (no date) ‘Lars von Trier’, Cahiers du Cinéma, (579), pp. 32–38.

Björkman, Stig (2004) ‘Lars von Trier: the defects of humanism’, Sight and Sound [Preprint], (2).

Björkman, Stig (1996) ‘Les nouvelles expériences de Lars von Trier’, Cahiers du Cinéma, (502), pp. 36–39.

Björkman, Stig (1998) ‘L’hôpital et la charité: Entretien avec Lars von Trier’, Cahiers du Cinéma, (524), pp. 74–81.

Björkman, Stig (1996) ‘Naked miracles’, Sight and Sound, 6(10), p. 10.

Björkman, Stig and Nyman, Lena (2003) ‘I am curious, film: Lars von Trier’, in Jan Lumholdt (ed.), Lars von Trier: Interviews. Jackson, Mississippi: University Press of Mississippi.

Blaauw, Piet de (1999) ‘Deens filmklimaat produceert paradepaardjes’, Trouw [Preprint].

Blok, Rogier de (2004) ‘De onnatuurlijkheid van het tijdslot’, Skrien, 36(10), p. 47.

Bogdanovskij, S. (1997) ‘Ljubov’ ... soraduetsja istine’, Iskusstvo Kino, (7), pp. 90–105.

Bøggild, Jacob (2018) En sådan konstellation findes ikke: Et essay om Lars von Triers Antichrist, Melancholia and Nymphomaniac. Hellerup: Forlaget Spring.

Bond, Kirk (1932) ‘Leger, Dreyer, and montage’, Creative Art [Preprint], (11).

Bond, Kirk (1965) ‘World of Carl Dreyer’, Film Quarterly, 19(1), pp. 26–38.

Bondebjerg, Ib (1992) ‘Behrendt, Poul’, in Lone Erritzøe (ed.), Stil på strimler. København: Amanda.

Bondebjerg, Ib (2003) ‘Danish film noir: Styles, themes, and narration’, in Lennard Højbjerg and Peter Schepelern (eds.), Film style and story: A tribute to Torben Grodal. København: Museum Tusculanum Press, pp. 23–44.

Bondebjerg, Ib (no date) ‘Danske virkelighedsbilleder: realisme på mange måder’, in Ib Bondebjerg and Jesper Andersen and Peter Schepelern (eds.), Dansk film 1972-97, pp. 28–59.

Bondebjerg, Ib (1999) ‘Den danska filmvågen’, in Hasse Schröder (ed.), Danmark—mer än ‘kroer’. Stockholm: Norden.

Bondebjerg, Ib (2002) ‘Det sociale og det poetiske blik: den nye danske dokumentarfilm’, Kosmorama, 48(229), pp. 18–39.